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HISTORY
OF THE PINHOLE
Using
the pinhole technique is one of the most authentic ways to record
photographic images.
The technique is based on the principle of
the camera obscura which is centuries old. Basically
it's nothing
more then a lightproof box with, in the middle of one side, a tiny
little hole instead
of a lens.
The light works its way through the pinhole right into the enclosed
room and that is how at the
opposite side of the pinhole an image
appears which is upside down. We can preserve the
image by putting
material which is sensitive to light at the side where the image
shows up and
develop it after exposure.
However photography was only invented in 1839 the principle of the
pinhole has been known
since ages. As early as the 4th century B.C.
this phenomenon was mentioned by Aristotle in
one of his writings.
Light falling through a small opening between the leaves of a tree
gives a
perfect projection of the sun on the ground. Even though
the opening between the leaves has a
shape which is irregular and
is not perfectly round, yet the image on the ground is. Aristotle
could never explain this. This happened much later in the 16th century,
because scientists were
frequently experimenting with the pinhole
technique.
All this started in the 13th and 14th century.
Different scientists used the pinhole principle in order to study
the eclipse of the sun and the
wave-lenght of the light.
In the 15th century the technique was used by artists as an aid
to make their drawings.
Leonardo da Vinci was the first to hit upon
the idea of using a box for it. He described how
one could get an
image on a transparant screen and trace it on the outside. But it
was not until
the 16th century until this idea had come to its full
development.
Lenses excisted in this century but people still used the pinhole
principle to study the sun.
Scientists often stared through their
(pinhole)telescopes and looked directly into the bright
sunlight.
As a result they suffered from blindness. Just to spare the eyes,
scientists started to use
a camera obscura (darkroom) so they could
study the projected image of the sun instead of
looking at it directly.
From this moment on it didn't take long before artists started to
use the
camera obscura frequently.
In the 18th century the principle of the camera obscura becomes
generally known and even
travellers are starting to use the phenomenon.
They are using the portable version of the camera
obscura just to
trace the things they see during their journeys. These "snap-shots"
are pasted
into their book of travels and kept as a souvenir. If
people didn't possess a camera one payed
money to enter a permanent
camera-room. Here the surroundings could be seen by means of a
rotating
mirror. The moving images were projected on a white table. All this
was very popular
until the official invention of photography in
1839. From this moment on there was no need to
trace images anymore
and the pinhole principle was completely forgotten.
Until the most famous pinhole picture of that time showed up, a
photograph of 1890 from
George Davison, The Onion Field. This picture
won the highest price at the annual exhibition
of the Photographic
Society in London. This particular picture was the beginning of
the
popularity of the pinhole camera which would last for several
years.
There were some american companies that put pinhole cameras on the
market and even a
special pinhole disc that could replace the lens
of a regular camera.
From the 20th century the pinhole camera lost popularity. Making
images with a camera like
this was considered to be inferior. The
reason of this was most probably the growing need for
speed and
mass production of photographic equipment. Finally the principle
was only used to
teach people the basic techniques of photography.
Between 1940 and 1960 the pinhole
technique was completely forgotten.
From 1960 until now pinhole photography is being used sporadically
by artists.
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