Recent work: an ongoing project along the Wadden Sea coast, exploring how the landscape can foster a deeper sense of awareness.

These images are captured using a pinhole camera, with an exposure time ranging from 8 to 48 hours, letting the light shift over time.

Created as part of the art manifestation 'Myths of Nature', which aimed to bring art into direct dialogue with the natural world.

Housing corporation Nijestee commissioned this unique artwork as part of their project 'Pimp your main entrance.'

The Northern Maritime Museum in Groningen commissioned this series. They asked some artists to show their view of a local lake.

This series explores the harsh beauty and resilience of barren landscapes, captured in regions such as Nevada and Death Valley, USA.

This project was developed as part of a conceptual design for a public artwork at a new cell complex for the Regional Police of Groningen.

This 180-degree panorama captures the white village of Cómpeta in Andalusia, Southern Spain, illustrating the changing light of the setting sun.

For this series, I photographed small ponds in peat and forest areas. With their muddy depths, these places hold an air of mystery and secrecy.

The series Blue and Blue Part II takes the viewer to the ever-changing Wadden Sea region, where the landscape transforms before your eyes.

Together with poet Tsjead Bruinja, I spent several days aboard a historical ship. Along with 17 other vessels, artists and poets sailed in pairs.

This series is called Papa tu Anuka, Mother Earth in Māori. In these images, I use New Zealand’s landscape as a space for contemplation.

The series Blue and Blue Part II takes the viewer to the ever-changing Wadden Sea region, where the landscape transforms before your eyes.

This series emerged from a fascination with the world of birds. Their presence is fleeting, and often easily unnoticed by those around them.

This series was created during a journey through Scotland, searching for a world that exists in our minds, exploring a new approach to reality.

This series was created during a time when I was fascinated by the smallest details of nature, often overlooked but with beautiful features.

These are photographs of often overlooked spaces, passed by without a second glance, evoking a sense of unease, having a disturbing atmosphere.

Here, I aimed to transform details into worlds of their own, where tiny fragments expand into vast spaces, as if you could wander through them.

These images were captured in bad weather, with strong winds and heavy rain showers, contributing to the creation of a different reality.

Pinhole cameras were placed in spaces within a cardboard factory that I couldn’t directly see, but could reach, leaving the camera for half an hour.

This series was created in Iceland, where I set out to capture desolate landscapes from a different perspective, focusing on details or the ground.

These images were created at a reprographic center, by placing a pinhole camera in the machines for a period of 30 minutes to one hour.